A small museum, with a big story to share
We continue looking into Victorian Cambridge through the eyes of Josiah Chater, a young draper’s apprentice. Read on to see what 1844 Christmas had in store for him! An observation Josiah noted down and was impressed by was the amount
Josiah Chater started to keep his diary in October 1844 at the age of 15. He was living at the time at 12 Market Street, apprenticed to William Eaden Lilley, draper, carpet warehouseman, paper merchant and seller of painting materials.
As we uncover more of James Nutter’s life, read on to see what November had in store for him, as we look into James’ discovery and research on his friend’s Reverend Robert Hall’s illness. At the end of October 1804,
It was an email to Capturing Cambridge earlier this year that uncovered this tragic tale of greed and embezzlement. It revealed family feelings that are still raw today, looking back on the suicide of Anthony Phypers, a well-off and respected
St Andrew’s Church (modern acrylic painting) As we uncover more of James Nutter’s life, read on to see what October had in store for him, as we hear about religious life and managing mental health in the early 19th century.
Blog by Roger Lilley, Chair of the Trustees A few months ago I hosted a ghost hunt at the museum. I just needed to be on the premises while ten enthusiasts divided into two groups to stake out some of
Great Shelford Mill (acrylic 2024) As we uncover more of James Nutter’s life, read on to see what September had in store for him. September starts with James assessing the delivery of new wheat: “New wheat today – some good
King’s and Bishop’s Mill, Mill Lane, Cambridge (acrylic painting, 2024, after an early 20th century watercolour) James Nutter (1763-1829) was the first of a number of generations of Cambridge millers in which the first born were all called James Nutter.
Museum of Cambridge to Preserve Framed Artwork Collection with over 150 objects being cared for in a month.
Of the many fragile artefacts we store at the Museum of Cambridge few can be as beautiful and mysterious as the four sketchbooks we have of Cissy, dating from 1899 to around 1912. In 1892 the Rev. William Macfarlane purchased